Showing posts with label Azure. Show all posts
Showing posts with label Azure. Show all posts

Monday, February 14, 2022

#27 (13.6): The Vanquishers.

Azure and Swarm torment the Doctor.  Well, one of the Doctors...

1 episode. Running Time: Approx. 60 minutes. Written by: Chris Chibnall. Directed by: Azhur Saleem. Produced by: Pete Levy.


THE PLOT:

The Doctor's escape from Swarm (Sam Spruell) and Azure (Rochenda Sandall) is successful... partially. Swarm touches her just as she transports back to her universe, and the combination of the Ravager's destructive power with the transport has the effect of splitting her in three. One Doctor ends up on Karvanista's ship just as the Sontarans assault the Lupari blockade. Another Doctor reunites with Yaz, Dan, and Jericho in the Williamson Tunnels beneath Liverpool.

A third Doctor, however, remains on the station outside the universe. As her other fragments of work to unravel the plans of the Sontarans and their ally, The Grand Serpent (Craig Parkinson), Swarm and Azure bask in the opportunity to torment their old enemy, taunting her:

"This is better than we could ever have hoped. We have everything we need. Division... The power to destroy your universe... And you!"


CHARACTERS:

The Doctor: Split into three personas, which she admits is confusing, exhausting, and frightening. That doesn't stop her from using it to her advantage - as when she deliberately sets herself up to be captured and interrogated, all so that she can be rescued after she's gathered needed information - rescued by another version of herself. Much like Amy in Steven Moffat's Space/Time sketch, she seems to fancy herself; she mentions having "a crush" on herself and, even when her form is adopted by a sinister entity, she pauses to note how good she looks in that variant's dark jacket (the dark jacket does suit her, by the way - Maybe we can get a wardrobe change for the specials?).

Yaz: The episode opens with her still emulating the Doctor, as when she thinks fast to open a particularly dangerous door to deal with a squad of Sontarans. Is overjoyed at the Doctor's return... until the Doctor begins rattling off technical terms with no explanation, leaving Yaz complaining, "normal service resumed." When the Doctor apologizes for shutting her out earlier in the season, saying she should have confided in her, Yaz doesn't fully let her off the hook; "Yeah, you should have," she says flatly, but makes clear that she's still willing to listen if the Doctor wants to start including her.

Dan: John Bishop continues to make the most of every small moment Dan gets... Which is fortunate, as for most of the season, small moments are all he does get. He's particularly sidelined here, with releasing a prisoner being the most significant moment he receives. There's a lot going on, so it's understandable that some characters end up underserved. Still, I'm left to wonder why he was even introduced if the season wasn't going to do anything with him.

Professor Jericho: At the opposite extreme... in a mere three episodes, Kevin McNally's Jericho has come to feel like an integral part of the series. He's emerged as my favorite character of the season: a mild-mannered, somewhat fussy academic with a core of steel. He gets some strong scenes here, thinking nothing of putting himself in danger to save his friends. I love his confrontation with a Sontaran who sneers that he's a "nameless human," to which he proudly declares himself to be "Professor Eustacius Jericho, scourge of scoundrels" - only to immediately regret not having written his autobiography, as that would have been such a good title.

The Grand Serpent: Has allied himself with the Sontarans as part of a long-range plan to install himself as Earth's ruler. He is unruffled when the Doctor points out that the Sontarans will inevitably betray him; he's already anticipated as much and plans to beat them to it. He is thrown, however, by how unbothered the Doctor is by his interrogation. When he realizes that she's actually getting information from him rather than the other way around, he tries to just kill her - but it turns out he's picked the wrong day to use his favorite parlor trick...

Swarm: Delights in inflicting pain, both psychological and physical. He teases the Doctor with her hidden memories, using his abilities to obliterate those memories - which manifests as physical agony. He literally disassembles the Doctor, only to rewind her to whole so that he can do it all over again. He and Azure boast that they'll do the same to the universe, rewinding the Flux until everything is intact and then unleashing it again, all to revel in the destruction. Not a smart boast, in this case, as this very plan provides the solution (although that solution is not very clearly communicated by the episode itself).

Azure: Every bit as sadistic as Swarm, as she dangles the Doctor's fobwatch in front of her. But she also has an inquisitive side, glimpsed in an excellent scene in which she asks the Doctor to explain why her valuing of life is better than the Ravagers' appetite for destruction. She doesn't seem to be sneering at the Doctor in that moment.  She is genuinely curious - and when she returns to taunting and tormenting her afterward, there's a sense that she's angry at how unsatisfactory she found the Doctor's answer to be. Rochenda Sandrall has been good all season, and I'm glad this episode allows her this one moment in the spotlight.

The Sontarans: Chris Chibnall again proves how good he is at writing the classic villains. He repeats the balancing act of War of the Sontarans. On the one hand, they are funny and even occasionally ridiculous, as when one Sontaran takes delight in raiding a convenience store's supplies of chocolate. At the same time, they have never been more ruthless. At one point, one gloats to Karvanista about ejecting Lupari out of airlocks to die in space, then mocks his prisoner's fury. Also, the Sontarans' plot to use their enemies to gain dominance over the Flux is genuinely clever, and it might well have succeeded.

Kate Lethbridge-Stewart: The Grand Serpent ends up fixating on Kate, who announces herself as the head of the resistance against the Sontaran Occupation. I can't help but wonder if something was left on the cutting room floor, however, because Kate ends up doing very little - certainly nothing that should draw the Serpent's personal attention. At least Jemma Redgrave remains a welcome presence, making the most of her confrontation scene with the Serpent. I just wish she was a bit more central to the episode, and that she had more scenes opposite Jodie Whittaker's Doctor.

Karvanista/Bel/Vinder: Speaking of underserved characters... It's appropriate that these three end up forming a sort of group of their own; after all the setup earlier this season, none of them gets enough of a payoff. Karvanista at least gets a good scene opposite the Doctor, bemoaning that there was a time that he would have done anything for her, and that she rewarded his loyalty by leaving him. Bel and Vinder don't even get that much. On the one hand, their story doesn't go to the obvious ending I had anticipated (once the unborn baby was revealed, I fully expected them to end up being the Doctor's parents); on the other hand, it doesn't particularly go anywhere else. In the end, this season would have been much the same had they not been present at all.


THOUGHTS:

Appropriately enough for a finale, The Vanquishers not only concludes the Flux arc, it also more or less represents it in miniature. All the season's strengths are evident. The episode is fast-paced and well-acted, with a genuine sense of urgency. All three villains are effective: The Sontarans, the Serpent, and the Ravagers all work well, and each group has its own separate agenda. The Doctor is central and proactive, getting at least one good scene opposite each of the villains.

However, the finale's multiple underserved elements make clear that the season tried to do too much. Look at the characters that this episode failed to use. The Bel/Vinder plot comes to nothing particularly interesting; had it been excised from the season, the main thing we'd have lost would have been the Grand Serpent's introduction, which could have been fixed with a slight alteration to Survivors of the Flux. Maybe then, more could have been done to develop the antipathy between the Serpent and Kate Lethbridge-Stewart, who is so little-used here that I'm not sure why they bothered. Even Dan, one of the season's regulars, has spent half a season being eclipsed by the more interesting Professor Jericho; why not introduce Jericho in Episode One and make him the male companion for the season, given that unlike Dan he actually does things to advance the story?

I like both season and episode as they stand. Across all six episodes, I've remained engaged and sometimes quite gripped.  Jodie Whittaker is in full command of the role at this point, and every episode has offered at least a couple of very strong dramatic scenes.

The Vanquishers is ultimately a decent finale to an overall pretty good season. I just can't help but feel that, had the redundant threads been removed, the arc might have been tighter and more focused - and the resolution (which I didn't fully catch until my second viewing) might have been a lot clearer.


Overall Rating: 7/10.

Previous Story: Survivors of the Flux
Next Story: Eve of the Daleks

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Friday, January 28, 2022

#25 (13.4): Village of the Angels.

Professor Jericho (Kevin McNally) is attacked by an Angel in his television!

1 episode. Running Time: Approx. 56 minutes. Written by: Chris Chibnall, Maxine Alderton. Directed by: Jamie Magnus Stone. Produced by: Nikki Wilson.


THE PLOT:

"The Angel has the TARDIS!"

A Weeping Angel has taken control of the TARDIS. Thinking fast, the Doctor manages to expel it - but not before she and her friends are re-routed to 1967, to the quiet English village of Medderton. Strange things are happening in Medderton. The cemetery has too many gravestones. A young girl, Peggy (Poppy Polivnicki), has vanished without a trace. And Professor Jericho (Kevin McNally) is conducting psychic experiments on a young woman - Claire Brown (Annabel Scholey), the same woman the Doctor met in 21st century Liverpool.

While Yaz and Dan join the search for Peggy, the Doctor tries to learn more about Claire. But she's barely entered the Professor's house before it becomes besieged by Angels. All the Doctor can do is barricade them in first the house, then the cellar, buying time to learn exactly why Claire was targeted by the Angel in the future and what the Angels are after in the past.

But even when the Doctor gets answers, they only lead to more questions. And not everything about this situation is as it appears...


CHARACTERS:

The Doctor: As in co-writer Maxine Alderton's previous episode, there's an emphasis on the Doctor's lighter, more flippant side early on... all the better to contrast with the rest of the story, which puts her in an increasingly desperate situation. "I'm pretty good at stopping the unstoppable," she brags. But as she sets up barricades, then improvises a closed-circuit TV system to allow continuous observation of the Angels, it becomes clear that all she's doing is buying time.  She's keeping herself and her charges alive long enough to find answers - but an answer is not necessarily the same things as a solution...

Yaz/Dan: Her police training shows as she focuses on the search for the lost child even as the situation surrounding her and Dan becomes ever stranger. She insists that the Doctor will be able to "sort this, save us. She always does" in what sounds less like a prediction than a statement of faith. Dan is more or less along for the ride this time, but he remains an engaging presence even when given little to do.

Professor Jericho: Kevin McNally gives the standout performance as Jericho. Initially seeming to be a befuddled and somewhat blustery middle-aged nonentity, he emerges as a man of courage and strong will. A World War II veteran who saw the Nazi concentration camps first-hand, he is not intimidated by the Angels, even when they taunt him in his own voice. "I am not blinking!" he declares as he fixes his gaze on them, and his voice and stance convey that he not only means it, but he's somehow capable of following through.

Bel: Her search for Vinder leads her to Puzano, a world that was once the intergalactic equivalent of Venice, complete with canals. Now the canals are gone, as Flux survivor Namaca (Blake Harrison) explains, along with most of the people. When Namaca promises a potential means of escape, Bel investigates and makes a startling discovery which propels her to the next stop on her journey...

Azure: No Swarm this week, but we do get an appearance from his sister, Azure (Rochena Sandall). Azure is gathering survivors, presenting herself as someone offering salvation. She's even framed standing on a mountaintop like a prophet as she addresses the desperate remnants of humanity. We don't learn why she's collecting people, but I can't imagine it's for anything pleasant.

The Weeping Angels: That which contains the image of an Angel, is an Angel." That statement, introduced in 2010's The Time of Angels, proves central to this story.  Director Jamie Magnus Stone handles them well. There's a haunting beauty in a single Angel we see when the Doctor converses with it on a beach. Another moment, that seems taken straight from a horror movie, sees Angels' hands and faces coming out of the walls of a tunnel. Then there's the Doctor's confrontation with the full force of Angels, who remain stationary even when she turns away from them because, as Claire explains, they're cruel. They want to savor the Doctor's helplessness.


THOUGHTS:

One area in which Chris Chibnall's era has consistently done well is in its use of returning monsters. Resolution made the Daleks feel threatening again after years of being little more than the butt of jokes; War of the Sontarans fused the comical New Series treatment of them with their more formidable Classic Series origins; and Village of the Angels continues the trend by reintroducing the stone horrors in a tale that advances the season arc while also succeeding as a good, old-fashioned, atmospheric monster story.

The script tightens a vice around the Doctor while also tying the current plot to the larger arc. We learn more about The Division, and what we learn makes them seem far more dangerous than just some rogue Time Lord section. "The Division uses everything and everyone. Every species, every world, every moment. They are everywhere, present and unseen." The previous episode told us that the Flux was not an accident. Was the Division somehow behind it? Or someone trying to strike against them?

I've come to expect strong visual moments this season, and this episode does not disappoint. The quiet village is creepy both in night and day, particularly when it becomes a little too empty. An Angel emerges from a paper drawing, only to be set aflame in a genuinely disturbing image when the Doctor burns the original paper. Another Angel jumps out of a television screen. Then there's the surprising reveal of exactly what lies beyond the town's sign - a sign that we are told keeps moving closer and closer to the village itself. Finally, there's the last image before the credits roll, which is both beautiful and terrifying as we are delivered yet another excellent cliffhanger.

I didn't much care for the bickering old comedy couple, ill-tempered Gerald (Vincent Brimble) and his wife, good-hearted but ineffectual Jean (Jemma Churchill). Outside of quickly getting Yaz and Dan into the subplot searching for the lost little girl, they add nothing to the story. In an episode that otherwise features well-written and well-acted guest characters, I found these two to be teeth-grindingly unbearable.

That quibble aside, Village of the Angels is another good episode in what is shaping up to be the best season in a long time. With only two episodes left, I'm looking forward to seeing where everything leads... while at the same time, feeling a bit of nervousness as to whether the arc will be able to stick the landing.


Overall Rating: 8/10.

Previous Story: Once, Upon Time
Next Story: Survivors of the Flux

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