Showing posts with label Jennifer Perrott. Show all posts
Showing posts with label Jennifer Perrott. Show all posts

Saturday, October 5, 2019

#7 (11.7): Kerblam!

Something isn't quite right with the robots...

1 episode. Approx. 49 minutes. Written by: Pete McTighe. Directed by: Jennifer Perrott. Produced by: Nikki Wilson.


THE PLOT:

The Doctor receives a delivery from Kerblam!, the biggest retailer in the galaxy. Much to the Doctor's delight, it's a fez - doubtless ordered two lifetimes ago. More interesting to the others is the packing slip, which has a message printed on the back:

"HELP ME."

They travel to the Kerblam! warehouse, where they go undercover as new workers. They meet Judy (Julie Hesmondhalgh), the friendly but ineffectual "Head of People", and Slade (Callum Dixon), an overbearing manager. The Doctor and Ryan go to work in the packing stations, where they befriend Kira (Claudia Jessie), an enthusiastic young employee. Yaz is assigned to Fulfillment, retrieving items from the warehouse with Dan (Lee Mack), a veteran staffer. Both Kira and Dan separately remark on employees who have suddenly "gotten the sack," with Kira mentioning a co-worker who never arrived back at her home. Meanwhile, Graham is assigned to maintenance, where he bonds with Charlie (Leo Flanagan) and takes the opportunity to learn the layout of Kerblam!

Then Dan takes a call to retrieve an item from a remote, mostly closed-off floor... and vanishes. When Yaz follows, she comes face-to-face with some Kerblam! delivery bots. And the robots are definitely not behaving according to their program...


CHARACTERS:

The Doctor: "I don't like bullies, don't like conspiracies, don't like people in danger, and there's a flavor of all three here." After getting the message, the Doctor is initially content to try a low-key approach, more-or-less blending in among the workers. After Dan's disappearance, she abandons that entirely, directly confronting Slade and Judy, breaking into locked cabinets, and even hacking into Kerblam!'s base code. She manages to stop what would have amounted to a 9/11-style event, but not without collateral damage. Right after her confrontation with the villain of the piece, she looks anything but pleased. For a brief moment, she actually looks like she's been utterly defeated.

Graham: "You're just making sounds now!" Graham's bemused exasperation, both at the strange but recognizable Warehouse of the Future and the Doctor's behavior, provides a lot of amusement. He's none too pleased when the Doctor switches jobs with him, which sticks him with "Premium Maintenance" (read: janitor). He doesn't dwell on his annoyance, though, using his affable nature to form a friendship with Charlie and to get the younger man to obtain a map for him. He pays attention to his surroundings, which means that when the Doctor needs to access "Kerblam Version 1.0," Graham knows exactly where she can find it.

Yaz: This isn't remotely a Yaz spotlight episode, and yet it may well be her strongest showing of the season. When the message arrives, she is the first of the Doctor's companions to urge investigating. She genuinely bonds with Dan, and is concerned enough for her new co-worker to go looking for him immediately after he disappears. When Ryan hesitates before jumping onto the conveyor, she is a silently encouraging presence - Then provides more vocal encouragement when they have to jump from one conveyor belt to another. The episode ends with her making a request of the Doctor: To visit the family of one of the story's casualties.

Ryan: "Halfway across the universe, and I feel like I'm back at work." Kerblam! reminds Ryan of the various jobs he has held, and not in a good way. The Doctor seems to enjoy doing this kind of mindless drone work (doubtless it's a new experience for her... for less than a day), but Ryan knows this kind of work too well and finds no fulfillment in it. When Kira gushes about how work gives people purpose, he responds, "some work." His familiarity with these types of warehouses does mean he knows exactly how to get into closed off areas when it's needed.

The script also wins points for not only remembering Ryan's coordination issues, but properly engaging with them. We learn that at his warehouse job, he had difficulty with some tasks at first. "Takes me a while to learn things physically," he tells the others. "Get there in the end, but some stuff takes me a bit longer" - and during that period, he only kept his job with the help of friends who covered for him. He hesitates before jumping on the conveyor belt at the end, but does not take the chance to stay back when it's offered. "That's not how we roll, is it, Yaz?" - which earns him an appreciative glance from her.


THOUGHTS

Kermblam! is a good, solid episode of old-school Doctor Who. A well-paced mystery, some creepy robots, an undercurrent of commentary on current society. I could easily see this episode working with pretty much any Doctor, with only relatively minor rewrites. It's one of the least immediately interesting episodes of the season, but it makes up for that by being one of the most entertaining.

Pete McTighe's script gets a lot of mileage from the obvious parallels between Kerblam! and modern corporations (the obvious target being Amazon). The work is dehumanizing, repetitive, and dull, something commented on by both Ryan and the Doctor. The workers wear devices to monitor productivity - something Ryan reminds us is not really science fiction when he observes that "wore on of these at (his) last job." Oversight is all but nonexistent, leaving complaints and issues no place to be properly addressed, something that frustrates even the management whose job it is to deal with those issues.

There is also a nice sense of an established world here. The viewer sees the work as dehumanizing, as do the regulars, but the actual human employees of this time and place seem genuinely enthusiastic about having these jobs. Judy, whose title is Head of People, proudly declares that the company is "Ten-Percent People Powered!", as if having actual humans making up 10% of the workforce is a rare and special achievement. Kira mentions having only received one gift in her entire life - not complaining, but instead reflecting in wonder on receiving a small box of chocolates. Dan "splurges" on a flight back home twice a year to see a daughter he obviously adores. Even the one character who is angry and frustrated at the state of affairs isn't raging against the nature of the jobs - Just that the quota for them is a measly 10%. It all creates a grim picture of a society whose problems extend far beyond the story's warehouse setting.

The script is quite well-structured, to a degree that becomes very clear on second viewing. The mystery plays fair with the viewer, with clues planted in the early scenes that most simply won't catch the first time around. I appreciated that apparent stock characters - an ineffectual Human Resources staffer, a sneering manager - end up being more rounded than they first appear. The villain's identity is a surprise that works, because when it's revealed it fits with what has gone before.

I only have only one issue with the story, but unfortunately it's a big one. Late in the episode, suspense is built when a likable guest character is put into jeopardy. It's actually refreshing that the regulars don't manage to rescue this character in time. But it is not the villain who kills this character - and the murder goes largely uncommented on by the Doctor and her friends. The scene itself plays out very effectively, and I have no problem with the Doctor not addressing it in the climax (she's a little busy preventing thousands of deaths at that moment). But the epilogue should really see her doing something about it. Instead, the script appears to forget entirely, which just doesn't sit right.

Kerblam! is still a good episode: Well-paced, often funny, with the best balance of the four regulars since Rosa. But the failure to address that guest character's murder leaves a sour taste - A shame, because this good episode would otherwise be a quietly superb one.

Rating: 7/10. But probably would have been a "9" without that single, severe misstep.

Previous Episode: Demons of the Punjab
Next Episode: The Witchfinders

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Sunday, September 22, 2019

#5 (11.5): The Tsuranga Conundrum.

The Doctor faces her hungriest foe!

1 episode. Approx. 50 minutes. Written by: Chris Chibnall. Directed by: Jennifer Perrott. Produced by: Nikki Wilson.


THE PLOT:

The Doctor's companions are enjoying the most glorious part of time travel: Poking around a planet-sized junkyard looking for spare parts. Graham is grumbling about hunting for needles in haystacks when he makes a find of the worst kind - a sonic mine, which detonates and knocks all four of them unconscious.

They wake on the Tsuranga, a rescue ship en route to a medical station. The ship's complement includes: two medics - veteran Astos (Brett Goldstein) and nervous rookie Mabli (Lois Chimimba); Yoss (Jack Shalloo), a man who failed to take precautions on vacation and got pregnant; and Eve Cicero (Suzanne Packer), a legendary general who is hiding a secret even from her own brother (Ben Bailey-Smith).

The Doctor doesn't particularly care about any of the personal drama. She just wants to find a way off the ship and back to her TARDIS. Then the Tsuranga's hull is breached by a Pting, a space creature that will eat literally anything non-organic - leaving the Doctor to try to find a way to get the creature off the ship before it eats them all into the vacuum of space!


CHARACTERS:

The Doctor: When she discovers she has awakened on a spaceship, and that she is now four days' flight from the TARDIS, she goes completely manic. She is determined to find a way to turn the Tsuranga around and fly it back to the scrap planet, and it takes more than a little effort for Astos to get through to her that such an action would endanger all the other patients on the ship. It's a moment of pure, adrenaline-fueled selfishness, it is the first time the Thirteenth Doctor has been allowed a moment to be genuinely unlikable... and it's exactly the sort of thing she needs more of, in my opinion.

Whittaker gets a number of good moments throughout the story. Her interplay with Brett Goldstein's Astos is particularly good; when the ship's hull is breached, they both go into problem-solving mode, bouncing next actions off each other in a way that just feels correct. This is an episode that has her working to solve problems throughout its runtime. She continually returns to the question of what the Pting wants, dismissing objections that it's just a killer creature. "Every living thing, from the tiniest to the largest, wants something," she insists - and when she realizes the answer, she finds one solution that covers multiple problems.

Ryan: He and Graham are largely relegated to dealing with the pregnant man, but more of Ryan's character emerges. As he tries to reassure the young man who is overwhelmed by the thought of being a father, he reflects that his own father would have been that young when he was born. Ryan reflects on how his father abandoned him after his mother's death, acknowledging that it must have been hard without giving up his anger at being abandoned. When Yoss frets that he can't be a father, Ryan stresses to him that "You don't have to be perfect - You just have to be there."

Yaz/Graham: Both very much in the background this episode. Bradley Walsh remains a steady presence, and gets some good reactions in to the insanity happening around him. Mandip Gill's performance is uneven. She horribly overacts several lines, such as her grinning comparison of the ship's sensors to the camera on her police uniform, or her observation that at least the Pting won't eat them. In both cases, her overly broad delivery is actively distracting from a scene that's otherwise flowing pretty well. She works much better in support, though - Her interactions with android Ronan (David Shields) as they protect the ship's engines work well, as does her interplay with the Doctor during the episode's climax. Overall, though, this is Gill's worst episode to date.


THOUGHTS

I definitely don't always agree with Fan Wisdom on which episodes are good and bad. There have been plenty of "bad" episodes I have enjoyed very much. But most of the time, I at least can see why they are considered bad: Poor guest performances, cheap-looking sets, weak endings, meandering story structures, or just sharp tonal clashes with the surrounding episodes. I may quite like The Two Doctors, but I understand why many don't; I may enjoy Robot of Sherwood, but I don't have to struggle to see why many others hate it.

But I am flummoxed by the reputation of The Tsuranga Conundrum. The story's structure holds up, with a resolution that fits with what's gone before and is dramatically satisfying - all of which immediately puts it above Arachnids in the UK. Whittaker's Doctor is on rather good form, and feels more traditionally "Doctorish" than in most of the preceding stories. The guest cast range from pretty good (Shalloo, Chimimba) to very good (Packer, Goldstein). The crises continually escalate, feeling ever more on the verge of getting completely out of control, right up until the resolution. Not only do I not see this is a bad episode - I see it as a rather good one!

I will acknowledge that I've always had a soft spot for the Irwin Allen disaster films of the 1970s, and this episode definitely borrows from that template.  But it's not just nostalgia making me fond of this one.  I think the story structure is genuinely effective.  The first part of the episode sees the Doctor desperate to return to her TARDIS.  Disoriented by the sonic mine, she is behaving selfishly and irrationally; she is effectively the villain of this 10 minutes, with Astos having to stop her from doing something that will endanger lives.

Even so, this entire sequence establishes so much that is key to the episode.  First, though she is being irrational, the Doctor is already working to solve problems, which is paralleled when she is similarly working to solve problems later.  We are also shown the structure of the ship while being introduced to all of the guest characters.  We get to see the start of every character's subplot throughout this sequence, and we are introduced to the various security and navigation systems the Doctor and the other passengers will have to overcome to resolve the situation.

Also effective is how firmly these scenes establish Astos as somebody absolutely competent and in control, in a way that the Doctor isn't here... Which helps the next plot turn raise the stakes.

On the whole, I found this episode to be great fun, and a rather nice recovery from the genuinely weak outing that preceded it. Oh - And I like the design of the Pting, as well.


Rating: 7/10.



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